Tuesday, February 28, 2017

Separating the Art from the Artist: The Complex Case of Casey Affleck



This is likely to be an unpopular opinion, but I am not as angered by Casey Affleck winning the Oscar for Best Actor as many people are. I think it is a more complex situation than what we want to admit, but I am going to try and explain my own perspective on it.

First of all, I want to be clear that I am in no way blaming the victims or discrediting their allegations. However, I’ve seen posts and stories calling Affleck a rapist and accusing him of sexual assault. We need to be clear about the case. The accusations were part of a civil trial for sexual harassment. This is not the same of sexual assault in legal terms. Civil cases demand less rigor in terms of burden of proof. That is, in order for someone to be found liable in a civil case, it does not need to be without reasonable doubt. Because there is not the same level of evidentiary support required for a jury to find for the plaintiff, it can be easier for a defendant to settle a case simply because he/she cannot prove that it didn’t happen. In this case, it was a he said/she said situation. Basically, all of this is to say that the fact that Affleck settled the case with his accusers does not necessarily indicate guilt. The fact is that we simply don’t know the truth other than what was stated in the legal briefs as part of the initial accusation and accompanying depositions. As part of the settlement, both parties agreed to a nondisclosure agreement in which they were not permitted to discuss the case. 

That brings me to next point. There are those who have criticized Affleck’s lack of remorse over the incident. The truth is that we don’t actually know how Casey Affleck feels about the incident. We don’t know if he actually repentant because according to the legal agreement he isn’t permitted to discuss it. Now, I know that this is giving him the benefit of the doubt, but it is possible that he does regret his actions. It’s also possible that he is the jackass that he is being labeled and doesn’t regret his actions. We just can’t say with any certainty.

Then there is the question of redemption and mercy. Provided that Casey Affleck does feel remorse for his actions in sexually harassing those two women, do his actions mean that he must be blacklisted from receiving accolades for his craft? Where do we draw the line? Is it possible for people to change and grow? Should we condemn all those accused of sexual harassment for the rest of time? This is a complex question. As a society, we are certainly more likely to forgive Casey Affleck than we were Nat Turner, director of the recent Birth of a Nation. Now, with Turner, we were dealing with allegations of sexual assault and not sexual harassment. However, that adds another level of complexity. Is there a difference in terms of how we treat issues of sexual misconduct based on the gravity of the offense? It certainly doesn’t feel that way for the victim in any situation. Then there is the question of whether or not we are more willing to forgive Affleck because he is white and more likely to hold it against Turner because he is black.

Casey Affleck is certainly not the first time that this type of controversy has followed an accolade. There was a similar controversy several years back when the Golden Globes decided to award Woody Allen the Cecil B DeMille Lifetime Achievement award. This brought the decades old accusations of sexual abuse of his adopted daughter. Criminal charges were never filed in that case, so we also need to consider if accusations or allegations are enough to reject an artist. Within the criminal justice system, we adhere to the principle that all people are innocent until proven guilty. This is not the way the court of public opinion works. People are usually presumed guilty until proven innocent and perhaps not even then. So how do we proceed in this type of situation? Can we separate the art from the artist?

I think we need to look at what we have done as a culture. For example, is it fair to label Casey Affleck as a sexual abuser based on these allegations when we do not ignore the contributions to the literary tradition of a confirmed alcoholic misogynist like Ernest Hemingway? Or consider F. Scott Fitzgerald one of the greatest American novelist when he plagiarized whole sections of his novels from his wife, Zelda’s unpublished works? 

The truth is that there is no easy answer to the questions because if we begin to condemn every person based on their misconduct, we may just find that we deserve to be lumped into the same category. If I am honest, there have probably been times when I have done or said something that could be considered sexual harassment. If I were a man, I would likely get called on it more. You can argue that, in part, the reason we don’t call women out on this behavior is because men hold the power in the social structure. However, if we believe that men and women should be treated equally, then we have to acknowledge our own shortcomings and misdeeds as well.

Sunday, February 26, 2017

Women of SHIELD


Spoiler Warning: This post will discuss some events from the current season of the ABC's Agents of SHIELD as well as past seasons.  



When Agents of SHIELD first started as an extension of the MCU, I thought that it would mostly serve as a vehicle to bring back the beloved Agent Phil Coulson, so charmingly portrayed by Clark Gregg. However, it proved to be so much more than that. The show struggled in the first season to find its footing. At first, it seemed like it was destined to flounder in a “villain of the week” episodic mess until Captain America: Winter Soldier happened and the game changed for the show. Not only did it find its narrative focus, but the show became about more than Agent Coulson. The women of SHIELD have come to the forefront as time went on.

Coulson’s right hand is Agent Melinda May, portrayed by the incomparable Ming-na Wen. Of all of the members on Agent Coulson’s team, May is probably the most dangerous in terms of combat. There’s a reason that she is called “the Calvary.” Whenever, things seem to be going south May comes in to kick ass and take name, usually saving everyone in the process. However, for all of her abilities, May is haunted by the past incident that garnered her nickname. The tremendous amount of respect that Coulson has for May is unsurpassed. He trusts her with his life, and there is a strong bond there. In some of the most recent episodes, this bond has taken a bit of a romantic turn. I am not sure how I feel about it yet. To be honest, it doesn’t feel forced for the sake of adding a romantic element. To their credit, the romantic element doesn’t undermine the strong woman that Agent May is.

Daisy Johnson was first introduced to the world of SHIELD as Skye, a hacker who was caught trying to break into SHIELD in order to find out the identity of her parents. Coulson saw her almost as a daughter, and May trained her to fight. As the show progressed, she found out not only who her parents were but also that her name was Daisy Johnson, who would eventually undergo terrigenesis and become the Inhuman known as Quake. She is just as capable as May in a bind. As an Inhuman, she is constantly fighting against those who want to kill Inhumans. 

Finally, we come to Jemma Simmons. As a scientist, it might seem like she would be the least kick ass of the bunch, but she is so much more than that. Jemma goes undercover within Hydra itself after the events of Winter Soldier. She is in grave danger during this time, but she is doing so to find out what Hydra is up to as well as locate Grant Ward, the team member who had betrayed them and tried to kill both Jemma and Leopold Fitz. She is a force to be reckoned with. Jemma and Fitz have an interesting relationship. They were the first “will they, won’t they” couple on the show. However, it’s not Jemma that is the one in need of rescue from danger most frequently. In fact, it is often Jemma who saves Fitz with the exception of when Jemma finds herself on another planet after being consumed by an obelisk that was a portal. 



While in the last couple episodes of the back half of this season the team was trying to rescue May once it was discovered that she had been replaced with a Life Model Decoy (LMD), as we head into the final episodes of this 4th season, it is the men of Agents of SHIELD that require rescue from the Framework, a digital world created by another doctor, Radcliffe, with the help of the Darkhold. The interesting thing about this Matrix-like is that there are vast differences from the MCU that we know. It appears that it may draw on some of the themes that the Marvel comics have been setting up going into their Secret Empire story arc with Hydra replacing SHIELD. Jemma and Daisy will need to rescue Coulson, Mack, May, and Fitz from the Framework as we move into the last episodes of the season.