Thursday, April 13, 2017

The Internalized Misogyny of "Romantic" Comedies



I recently re-watched the film Don Jon with Joseph Gordon-Levitt and Scarlett Johannson. The film has an interesting premise in exploring the impact of pornography and subsequent addiction on relationships. It is clear in the film that the main character played by JGL has intimacy issues stemming from his frequent consumption of pornographic material. It is in an interesting psychological study of the impact of pornography on intimate relationships.

However, at one point in the film, while fighting with his girlfriend, played by Scarlett Johannson, he remarks that the films she enjoys also negatively impact their relationship. He is, of course, talking about the romantic comedy. It’s a valid point. The media we consume can color our interpersonal relationships, especially if we begin to buy into the bullshit. 

The genre of romantic comedy is often formulaic in its approach to relationships. The films generally operate from the same premise: the very together woman falls in love with the not-so-perfect guy and changes him for the better. There have been any number of films that use this idea, and it has had a negative impact on the way we view relationships.

Often in these films the guy starts by treating the woman with less respect than she deserves. She just accepts this treatment as though it is normal, and he just needs to grow as a person. Throughout the film, they go back and forth in a will-they-won’t-they scenario until he finally realizes that she is ultimately the girl of his dreams. 

I know I am guilty of falling into this kind of thinking. If only I stick around long enough, he will eventually come to his senses and realize that we are meant to be together. Ultimately, it won’t matter how he treats me in the interim because it will all eventually work out and everything will be perfect, like it is in the movies. This kind of mentality perpetuates the idea that bad situations will always change for the better when that isn’t always the case. We fool ourselves into thinking that the rough road is just a necessary part of the journey. This is sometimes true, but there is also a limit to the amount of rejection we should accept before we move on.

I was re-reading Shakespeare’s All’s Well that Ends Well, and this is precisely the situation that heroine of the play, Helena, finds herself in. She is in love with Bertram who basically treats her like shit. He doesn’t see her or appreciate her for who she is. Helena is a talented healer and an intelligent woman. She is kind and selfless. In the play, she uses her knowledge of healing (learned from her father) to cure the King of France of a debilitating disease. As a reward, she is promised the hand of any man in the King’s court in marriage. Helena chooses Bertram. While he marries her rather than defy the King, he is cruel to her because he does not love her. She is constant in her affection and follows him off to war where she finds that he is courting another woman. Of course, this is heartbreaking, but she is undeterred in her quest to win his love. Helena convinces this other woman to agree to sleep with Bertram, but instead Helena will take her place in the dark so that she might become pregnant with his child and obtain a ring as he said she must do in order to earn his affection. Ultimately, Bertram and Helena are united at the end of the play, but there is still ambiguity as to whether he is actually reformed or if he is just fulfilling his promise and the relationship is doomed to more heartbreak for Helena.

This play could easily be the plot of most romantic comedies. I mean we have to acknowledge the bed trick is ultimately an act of rape committed against a man as he was not consenting to have sex with Helena, but it isn’t much different than a scene in Revenge of the Nerds that we look at now with a bit of cringing. We’d like to think that Bertram is reformed by the end of the play and has come to appreciate all that Helena is. But is he really?

Then there is the question of Helena herself. Why does she go down this path to pursue someone who clearly does not love her? She clearly thinks that Bertram is above her as he is nobility and thus of a higher social status. Yet, this isn’t so much about Helena trying to climb the social ladder. There is a clear understanding on her part that she will probably never be worthy of his love because of the difference in social standing, but this doesn’t stop her from dreaming of her “prince.” It seems to be less about her love for him but more about her love of the idea of him. She idealizes him and refuses to see the imperfections in his character because he is nobility and therefore has the potential to be better than he is. This makes her more willing to accept his ill treatment because she sees it as a temporary set of circumstance rather than his actual character. It’s denial in the most classic sense. It’s just not possible in her mind that Bertram is just an asshole; it must be some fault in her that causes him to treat her poorly. If only she could make herself better, then he might love her. She has to make herself better in order to deserve his love.  It's a classic case of internalized misogyny.

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